Many people feel a certain level of invincibility to data breaches and online scammers, maybe because they are well-read and knowledgeable about what to look for and avoid, or maybe because they simply think they are smart enough to know a scam when they see it. While that may be true in the ordinary course, scammers have adapted to and are preying on peoples’ vulnerable states in the current pandemic. This is even more concerning given the vast number of people working from home, which creates additional exposure for employers. Continue reading
COVID-19 has drastically impacted people’s lives and livelihoods. It has also had drastic impacts on many legal sectors, but its impact on intellectual property has been much less severe with the United States Patent and Trademark Office (“USPTO”) and Copyright Office moving forward via remote operations. Continue reading
The Copyright Act protects original works of authorship fixed in tangible form. 17 U.S.C. §102(a). To be “original,” the expression must have originated with the author and contain a creative element – “a spark that goes beyond the banal or trivial.” Nimmer on Copyright § 2.05[B](2017). “Although the amount of creative input by the author required to meet the originality requirement is low, it is not negligible.” Satava v. Lowery, 323 F. 3d 805, 810 (9th Cir. 2003) (citing Feist Pubs, Inc. v. Rural Tel. Service. Co., 499 U.S. 340, 362 (1991)).
In 2001, Sean Hall and Nathan Butler (“Hall”) composed a song “Playas Gon’ Play,” which contained the lyrics “Playas, they gonna play / And haters, they gonna hate . . .” In 2014, Taylor Swift co-authored the song “Shake It Off,” which contained the lyrics “Cause the players gonna play, play, play, play, play / And the haters gonna hate, hate, hate, hate, hate . . .” Continue reading
In a 6-3 ruling announced last Monday, the Supreme Court struck down the Lanham Act’s longstanding prohibition on registering “immoral or scandalous” trademarks. The decision in Iancu v. Brunetti is the culmination of Erik Brunetti’s 8-year battle to register the name of his edgy streetwear brand, FUCT. Billed as an acronym for “Friends You Can’t Trust,” pronouncing the brand name out loud is “the equivalent of [the] past participle form of a well-known word of profanity.” In what may have been a first for the Supreme Court, both attorneys and Justices refrained from even saying the contested trademark on oral argument, opting to use “safe-for-work” references to “Mr. Brunetti’s mark” instead.
By Matt Williams and Bobby Whitmer, Wyatt Summer Associate
Historically, the U.S. Court of Appeals for the Federal Circuit(“Federal Circuit”) has held that International Trade Commission (“ITC”) rulings on patent infringement issues do not have a preclusive effect on future district court proceedings. The Federal Circuit, however, had not decided whether a trademark or other non-patent ruling by the ITC would fail to preclude later district court cases as well. In an issue of first impression in the Federal Circuit, Swagway, LLC v. International Trade Commission and Segway, Inc., DEKA Products Limited Partnership, Ninebot (Tianjin) Technology Co., Ltd., held that, like a patent infringement ruling, a ruling by the ITC concerning trademark infringement will not have a preclusive effect on later district court cases. This holding effectively created a circuit split regarding the preclusive effect of ITC rulings between the Federal Circuit and the other Circuits that have addressed the issue. Continue reading
On October 11, 2018, President Trump signed into law the Orrin G. Hatch – Bob Goodlatte Music Modernization Act (“Act”), which had unanimously passed both the House of Representatives and the Senate. The Act has been praised by often-times divergent groups in the music industry – e.g. songwriters, publishers, digital streaming services, performance rights organizations – as being a “truly historic moment for the music industry.” See e.g. Variety, Oct. 11, 2018 “Trump Signs Sweeping New Music Licensing Legislation,” quoting BMI President and CEO Mike O’Neil.
The Act actually is comprised of three separate pieces of legislation:
- The Music Licensing Modernization Act (“MLMA”) (Title I of the Act);
- Compensating Legacy Artists for Their Songs, Service and Important Contributions to Society Act (“CLASSICS Act”) (Title II of the Act); and
- Allocation for Music Producers Act (“AMP Act”) (Title III of the Act).
Changes Under the MLMA
The MLMA makes significant changes with regard to Continue reading